For years, the giant billboard showing cars working their
way down a street through a Wyoming cattle drive was stationed on the busiest
highway in New York City. It was figured
that this image was seen by millions of frustrated and stranded city-dwellers
stuck in stalled traffic.
Caption on the
billboard read: “Rush Hour in Wyoming.”
I was on the
travel commission back in the 1990s when our brilliant director Gene Bryan came
up with that idea.
That image,
which was snapped by the late Lander photographer Mike McClure of the annual
cattle drive down our local Main Street, came to mind during the funeral services
last week of another Lander pioneer photographer Ted Carlson.
As the local
newspaper guy, I could never quite get a photo as good as Mike’s. One day 30 years ago, I asked Ted if he had
such a shot. He went through his negatives and found an even better one. He printed it up and sold over 1,000 versions
of it as a poster with the caption “Traffic Jam in Wyoming.”
I always appreciated him giving me
the credit for causing him to create that poster even though my motives were
more selfish then helping him create a classic. His photo was actually a better picture than
McClure’s showing most of Lander’s Main Street and the Wind River Mountains in
the background.
This column is
about Wyoming photographers who have done such a wonderful service to our state
by snapping countless photos of not just people getting married but every
single event that could have happened in a city or town.
Carlson, who
died in his 80s this spring, was a member of that fraternity. Not only did they
shoot the formal photos but they also loaded up their gear and trudged along
the rivers, up the mountains or out in the deserts to snap memorable photos of
our state since its beginning.
Famous names of
deceased Wyoming photographers include J. E. Stimson, Cheyenne; Charles Belden,
Meeteetse; Jack Richard, Cody; Frank Meyers, Rawlins; Doc Ludwig and Henning
Svenson, Laramie; Tamaki Nakako, Rock Springs; Richard Throssel, Sheridan; S.
N. Leek, Jackson; Tom Carrigen, Casper; Rico Stine, Worland; and lots and lots
more, too numerous to mention in this short tribute. Historian Phil Roberts, Laramie, gave me
assistance to coming up with this list.
Some day I
would like to do a historical book featuring a lot of these photos much like
the contemporary books that I have been doing lately featuring all images of
Wyoming.
For all the
obvious reasons, I have a soft spot in my heart for photographers.
With my second
coffee table book coming up for sale this fall, I can anticipate the most often
asked questions:
How come these
photos are so great? I have never seen such wonderful photos. How do they do
it?
There are over
4,000 high quality color slides that I have taken in Wyoming over the past 44
years. When these book projects started
it was assumed much of the content would be my great photos from my personal
archives.
Alas, not so.
The new
digital cameras are so amazing they simply blow away most of my old images done
on film. Except for Randy Wagner, Cheyenne, and Dewey Vanderhoff, Cody, most of
the photos in my books are digital images. And my poor slides? Regrettably for me, we are constantly pulling
out my photos and replacing them with wonderful digital images by one of some
50 photographers that have participated in these projects.
Today’s
photogs work just as hard as us old-time guys but the new equipment takes the
image to a level that we could only imagine a few years ago.
Back to my
friend Ted Carlson. He had a great sense
of humor. He made two other famous
posters.
One was what he called “Wyoming
wind gauge,” which showed a heavy chain seemingly blowing in the wind.
The other was an image of four
young Wyoming rodeo gals wearing boots, hats, vests and chaps and little else.
Taken from the rear, you could not tell who these gals were. I think this image was either the inspiration
for a famous painting in the bar at the Holiday Inn in Cody or that painting
was the inspiration for his photo.
Carlson would never tell me who the
gals were and they are all probably grandmothers today. Done tastefully, it was more funny than
provocative. And it sold a lot of copies!
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